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Single "Brother Thrush." In 1970, they released their first album, Barclay
James Harvest, which included several of the early songs and displayed the
group's strengths: filled with strong harmony singing, aggressive electric
guitar, and swelling Mellotron parts, it set the pattern for their
subsequent releases, with Lees and Holroyd handling most of the songwriting.
The album failed to chart, and a subsequent tour was a financial disaster.
Their second album, Once Again (1971), was an artistic letdown, made up of
rather lethargic songs, although it did contain the superb, "Mockingbird,"
The band recorded two more albums for Harvest, Short Stories (1971) and Baby
James Harvest (1972), and spent much of 1972 on the road, including an
unsuccessful tour of the U.S. .
The young girl from the Bronx would finally become more recognized when she was ca.
*
*
They also released a pair of singles, "When The City Sleeps" and "Breathless,"
under the pseudonym "Bombadil" (a name taken from a J.R.R. Tolkien short
story), all to no avail. 1973 saw them part company with EMI after one last
single, "Rock and Roll Woman." Later in 1973, the band signed with Polydor,
and their fortunes began turning around, though only very gradually. Their
first album for the new label, Everyone Is Everybody Else, seemed promising:
it was a more powerful and coherent work than the group had ever released
for EMI, with Lees' guitar dominating on songs like "Paper Wings" and "For
No One." The album also presented the first example of the group consciously
paying tribute to (and satirizing) another group's hit song -- "Great 1974
Mining Disaster" was a very heavy sounding tribute/satire of the Bee Gees' "New
York Mining Disaster 1941." (They would later do work in this vein involving
the Moody Blues.) The album failed to chart, however, as did the single "Poor
Boy Blues," with its gorgeous harmonies. It seemed at first as though BJH
was locked once again into a cycle of failure. Finally, in late 1974, their
double album Barclay James Harvest Live broke through to the public -- the
group was rewarded with a Top 40 placement in England and more sales
activity on the European continent than they'd previously seen. Their next
album, Time Honoured Ghosts, recorded in San Francisco, continued this
gradual breakthrough when it was released in 1975, reaching number 32 in
England. A year later, Octoberon reached the Top 20. An EP containing live
versions of "Rock 'N Roll Star" and "Medicine Man" became another chart
entry in the spring of 1977. By this time, EMI had begun to take advantage
of the success of the group's Polydor work, and released A Major Fancy, a
John Lees' solo album that had sat on the shelf for five years. In 1977,
they released Gone to Earth, their most accomplished album to date, and by
the end of the year the group found themselves playing to arena-sized
audiences. The release of XII in 1978 -- which managed to just miss the
British Top 30 -- was followed by the group's first (and only) personnel
shake-up. In June of 1979, Wolstenholme announced his exit from the band in
favor of a solo career; the group's final tour with Wolstenholme was
recorded and later released by Polydor under the title The Live Tapes. He
was replaced by two new members, singer-keyboardman-saxophonist Kevin McAlea
and singer-guitarist-keyboardman Colin Browne; Wolstenholme released one
solo album, 1979's Maestro, to little success and then retired for a time
from the music business. Their 1979 album Eyes of the Universe was a modest
hit in England, but its release marked a flashpoint in Barclay James
Harvest's career in continental Europe, especially Germany; on August 30,
1980, the band performed a free concert in front of nearly 200,000 people at
the Reichstag in Berlin, which was filmed and recorded. |
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BARCLAY JAMES HARVEST PICTURES |
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