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This sly-grinned young character player began his acting career when he was
encouraged to audition for an agent by his grade school pal Drew Barrymore
when he was 11 (the same year he bestowed Barrymore with her first kiss). TV
commercials and voice-over work quickly followed and the youngster branched
out into playing roles in guest appearances on TV sitcoms beginning with "The
Wonder Years" in 1988. Meyer had a recurring role as the nephew of Lynn
Redgrave on the short-lived sitcom "Chicken Soup" (ABC, 1989), a recurring
role on "The Jackie Thomas Show" (ABC, 1992-93) and a regular role as the
wannabe rock musician son of Pamela Reed's judge on the NBC sitcom "Home
Court" (1995-96).
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Meyer lent his broken-nosed strong screen presence to several roles as a
druggie starting with his debut in "Freddy's Dead: The Final Nightmare"
(1991), in which he was memorably dispatched in a video game. His
breakthrough screen role was as the skateboarding stoner (a homage to Sean
Penn in 1982's "Fast Times at Ridgemont High") in "Clueless" (1995). Meyer
offered similar characterizations in "The Craft" and "John Carpenter's
Escape From L.A." (both 1996). He fared better as the best friend of an
Olympic hopeful in the biopic "Prefontaine" (1997) and as a high school
student yearning to leave his hometown in "Dancer, Texas Pop. 81" (1998). In
the highly touted "54" (also 1998), a look at life in the famous 70s
nightspot, the actor was cast as a sexy busboy married to the coat check
girl (Salma Hayek) and pursued by a bartender (Ryan Phillippe)—Meyer is
close friends with Phillippe, with whom he and Seth Green share a production
company.
Meyer would subsequently appear as a supporting player in films including "Go"
(1999) and "The Insider" (1999) before graduating to full-fledged leading
roles in "Tail Lights Fade" (1999), as part of a pair of couples who travel
across Canada to bail his girlfriend's brother out of jail, and in the
mildly amusing "Road Trip" (2000), in which he again travels across country
as a college student hoping desperately to retrieve a videotape of himself
having sex with another girl, which was inadvertently mailed to the ex that
he pines for. "Road Trip" marked the first instinct that Meyer's well-developed
slacker sidekick persona had matured and could be tweaked to make him a
full-fledged star. He was re-teamed with Amy Smart in yet-another racing
cross country film, this time as part of the multi-plot ensemble of "Rat
Race" (2001), a sort-of homage to the all-star screwball chase films of the
1960s like "It's a Mad, Mad, Mad World."
Meyer received his biggest break yet when he was cast as the lead in the NBC
sit-com "Inside Schwartz" (2001) as a minor-league sportscaster whose dating
life is illustrated by fantasy-driven sports highlights. Although aired in
the cozy post-"Friends" timeslot on NBC's "Must-See" Thursdays, the
critically reviled series failed to capture much of an audience and was
cancelled after only a handful of episodes. Meyer quickly resurfaced in a
winning supporting turn as Meg Ryan's brother in the whimsical fantasy-comedy
"Kate & Leopold" (2001) and was tapped to provide the voice of the fabled
wooden boy "Pinocchio" in the U.S. release of Italian writer-director-star
Roberto Benigni's 2002 take on the classic tale. A second attempt at TV
series stardom, "Married to the Kellys" (2003) about a New York man who
suddenly finds himself surrounded by his bride's eccentric Kansas family,
also met with little fanfare or ratings success (Meyer also appeared in the
pilot of an even more notable 2003 TV failure, NBC's "Coupling" but opted to
star in "Kellys" instead).
Returning to the big screen, Meyer took on the role of Jon, the hapless
owner of the famed comic book cat in the film adaptation of "Garfield"
(2004). In “Herbie: Fully Loaded” (2005), Meyer played the son of a NASAR
champ whose racing slump threatens to put the brakes on the family legacy.
It’s up to his sister (Lindsay Lohan) and a loveable Volkswagen Beetle to
revive the family’s fallen glory. He was then set to appear in “Rebound”
(2005), a Martin Lawrence laugher about an college basketball coach on the
outs with his profession due to his uncontrollable temper. |
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BRECKIN MEYER PICTURES |
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