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Dermot Mulroney (born October 31, 1963 in Alexandria, Virginia, USA), is an
American actor of Irish descent.
A strapping, strikingly handsome actor whose wholesome looks quickly landed
him TV-movie leads as boy-next-door types, Dermot Mulroney tended to get the
girl but with complicated results. In his TV debut, "Sin of Innocence" (CBS,
1986), as the son of newly married widower Bill Bixby, he fell in love with
his new stepsister. His troubles continued in "Daddy" (ABC, 1987), a
cautionary drama about teen fatherhood, in which he co-starred with Patricia
Arquette. In between he gave an emotionally charged portrayal as a high
school student with a drug problem in "The Drug Knot" (also 1986), a CBS
special inspired by David Toma's work as an anti-drug crusader.
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Segueing to features with a small role as the son of baddie Malcolm McDowell
in Blake Edwards' "Sunset", he then downgraded his looks for a major role in
the popular "Young Guns" (both 1988), joining the "brat-pack" likes of
Emilio Estevez (Billy the Kid), Charlie Sheen and Kiefer Sutherland as 'Dirty
Steve' Stephens. In a much different vein, he played John, the first
casualty in Norman Rene's landmark AIDS drama "Longtime Companion" (1989),
scripted by Craig Lucas from his play.
Mulroney met wife-to-be Catherine Keener while filming "Survival Quest"
(1989), literally jumping in and saving her life while a hundred crew guys
watched the river sweep her away. He subsequently portrayed King, the leader
of a ragtag group of runaways, in the urban drama "Where the Day Takes You"
(1992). After appearing as the clueless love interest of assassin Bridget
Fonda in "Point of No Return", he played a Connecticut-born would-be cowboy
trying to make it as a songwriter in Peter Bogdanovich's "The Thing Called
Love" (both 1993). Having met Steve Buscemi shooting HBO's "The Last Outlaw"
(also 1993), he found himself acting as cinematographer to Buscemi's harried
director in writer-director Tom DiCillo's short "Scene Six, Take One"
(1994), which also reteamed Keener with her "Johnny Suede" (1991) director.
Later, as associate producer, Mulroney was instrumental in financing the
expansion of this labor of love to the feature-length "Living in Oblivion"
(1995). He would play Winona Ryder's fiance in "How to Make an American
Quilt" and a cop tracking a serial killer in "Copycat" (both also 1995)
before reuniting with DiCillo and Keener for "Box of Moonlight" (1996).
Mulroney joined Elisabeth Shue and Kyle MacLachlan to ride out a night of
post modern dread in "The Trigger Effect", played a major role as an upstart
mobster in Robert Altman's atmospheric "Kansas City" and appeared briefly as
Jennifer Jason Leigh's sweet-tempered husband in Showtime's "Bastard Out of
Carolina" (all 1996). He enjoyed his highest profile yet, caught between
Julia Roberts and Cameron Diaz, in "My Best Friend's Wedding" (1997), though
his thankless role as object of desire paled compared to Rupert Everett's
juicy supporting turn as Roberts' gay editor. More than a decade after their
first pairing, Mulroney appeared as the ultra-vampy Arquette's staid husband
in the hopelessly labyrinthine neo noir "Goodbye Lover" (1998) then teamed
with another sexpot, Linda Fiorentino, and film legend Paul Newman for the
caper movie "Where the Money Is". (2000). That year also saw his first
collaboration with writer-director Alan Rudolph as a raffish ladies' man in
"Trixie" (both 2000), starring Nick Nolte and Emily Watson (in the title
role), and he was back quickly with Rudolph and Nolte for "Investigating
Sex" (2001) before seguing into Nicole Holofcener's indie hit "Lovely &
Amazing," where he worked with his wife, actress Catherine Keener. His next
role raised his profile, playing Jack Nicholson's mustachioed prospective
son-in-law in "About Schmidt," He was widely praised for his portrayal of
Randall, the charmless waterbed salesman with a fondness for mullets and
unusual facial hair. After a turn in the low-profile Southern Gothic drama "Undertow"
(2004), Mulroney played Debra Messing's paid escort-posing-as-boyfriend in
the romantic comedy "The Wedding Date" (2005), effortlessly charming
everyone at the family wedding and provoking romantic complications with his
"employer. |
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DERMOT MULRONEY PICTURES |
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