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Frank Zappa was one of the most accomplished composers of the rock era; his
music combines an understanding of and appreciation for such contemporary
classical figures as Stravinsky, Stockhausen, and Varèse with an affection
for late-'50s doo wop rock & roll and a facility for the guitar-heavy rock
that dominated pop in the '70s. But Zappa was also a satirist whose reserves
of scorn seemed bottomless and whose wicked sense of humor and absurdity
have delighted his numerous fans, even when his lyrics crossed over the
broadest bounds of taste.
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Finally, Zappa was perhaps the most prolific record-maker of his time,
turning out massive amounts of music on his own Barking Pumpkin label and
through distribution deals with Rykodisc and Rhino after long, unhappy
associations with industry giants like Warner Brothers and the now-defunct
MGM. Zappa became interested in music early and pursued his studies in
school, up through a six-month stint at Chaffey College in Alta Loma, CA. He
scored a couple of low-budget films and used the money to buy a low-budget
recording studio. In 1964, he joined a local band called the Soul Giants,
which, over the course of the next two years, evolved into the Mothers, who
played songs written by Zappa. The band was signed to the Verve division of
MGM by producer Tom Wilson in 1966 and recorded its first album, a two-LP
set called Freak Out!, which introduced Zappa's interests in both serious
music and pop as well as his scathing wit. (Verve insisted on adding "of
Invention" to the band's name.) Subsequent albums extended the musical and
lyrical themes of the debut, and they came frequently. Three albums, for
example, hit the charts in 1968: We're Only in It for the Money, a Mothers
album that made fun of hippies and Sgt. Pepper; Lumpy Gravy, a Zappa solo
album recorded with an orchestra; and Cruising With Ruben & the Jets, on
which the Mothers played neo-doo wop. Toward the end of the '60s, Zappa
expanded the Mothers lineup, turning more toward instrumental jazz-rock,
much of which displayed his technically accomplished guitar playing. But by
the end of the decade, he had broken up the band. In 1970, however, Zappa
reassembled a new edition of the Mothers, featuring former Turtles lead
singers Mark Volman and Howard Kaylan as frontmen. The lineup moved the
group more in the direction of X-rated comedy, notably on the album Fillmore
East: June 1971, but it was short-lived: during a performance at the Rainbow
Theatre in London, Zappa was pushed from the stage by a demented fan and
seriously injured. While he recovered, Zappa released several albums, then
he re-formed the Mothers with himself as lead singer and made pop/rock
albums such as Over-nite Sensation that were among his best-selling records
ever. By the end of the '70s, Zappa was recording on his own labels,
distributed in some cases by the majors, and he had attracted a consistent
cult following for both his humor and his complex music. (Zappa's band, in
fact, became a training ground for high-quality rock musicians, much as
Miles Davis' was for jazz players.) In the '80s, Zappa gained the rights to
his old albums and began to reissue them, at first on his own and then
through the pioneering Rykodisc CD label. He wrote his autobiography and
embarked on a world tour in 1988. That was the end of his live performing,
except for such isolated appearances as one in Czechoslovakia at the
invitation of its post-Communist president, Zappa fan Vaclav Havel. In late
1991, it was confirmed that Zappa was seriously ill with cancer.
Nevertheless, his schedule of album releases continued to be rapid. Zappa
died in December of 1993, with a number of posthumous releases to follow. |
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FRANK ZAPPA PICTURES |
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