Michael Crichton Biography

John Michael Crichton (born October 23, 1942, pronounced 'cry-ton' [1]) is an author, film producer and television producer. His best-known works are science fiction novels, films and television programs. Crichton describes his genre as techno-thriller which is usually the marriage of action and technical details. Many of his novels have medical or scientific underpinnings, reflecting his medical training and science background.

Crichton directed the film Coma, adapted from a Robin Cook novel, and there are other similarities in terms of genre and the fact that both Cook and Crichton are physicians, are of similar age and write about similar subjects.
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Michael Crichton was born in Chicago, Illinois to John Henderson Crichton and Zula Miller Crichton and raised in Roslyn, Long Island, USA. He attended Harvard University, where he graduated summa cum laude in anthropology. He went on to teach anthropology at Cambridge in England, later returning to Massachusetts to gain an M.D. degree from Harvard Medical School.

Crichton has admitted to once plagiarizing a work by George Orwell and submitting it as his own. The paper was received by his professor with a mark of "B−". Crichton admitted to plagiarizing when he was on the stand in the course of a lawsuit trying to defend the authenticity of Twister, a movie which one individual claimed was based on their story entitled "Catch the Wind". Crichton has stated that the plagiarism was not intended to defraud the school, but rather as an experiment. Crichton believed that the professor in question had been intentionally giving him abnormally low marks, and so as an experiment Crichton informed another professor of his idea and submitted Orwell's paper as his own.

While in medical school, he wrote novels under the pen names John Lange and Jeffrey Hudson (under which pseudonym A Case of Need won the 1969 Edgar Award). He also co-authored Dealing with his younger brother Douglas Crichton under a shared pen name Michael Douglas. The back cover of that book contains a picture of Michael and Douglas at a very young age taken by their mother.

His two pen names were both created to reflect his above-average height. According to his own words, he was about 206 cm (6' 9") tall in 1997 [2]. "Lange" means "tall one" in Dutch and Sir Jeffrey Hudson was a famous seventeenth century dwarf in Queen Henrietta Maria's court.

Crichton has two sisters, Kimberly and Catherine, and a brother, Douglas. He is married to Sherri Alexander and has a daughter, Taylor, with ex-wife Anne-Marie Martin.

Crichton has been introducing breakthroughs in science and technologies with his books. Many of the ideas he used were novel to the average person, despite having quite a solid scientific base.

Before Jurassic Park, Robert T. Bakker's theory of "warm-blooded" and athlete-type dinosaurs was unimaginable to ordinary people, who were accustomed to seeing stop motion clay dinosaurs crawling sluggishly over the volcanic prehistorical terrains. However, Crichton's version of highly intelligent man-eating dinosaurs was also criticized by scientists:

The scientific scheme is not completely outrageous; unless one looks too closely, ... Although they are dinosaurs ..., they could have been any death-dealing automata ... substitute hostile extraterrestrials, lunatic Nazis, or predatory androids and it would have been the same film with a different title -- Aliens, Raiders of the Lost Ark or Terminator 2: Judgment Day. (Henry Gee, "Jaws with Claws," Nature 363:681, 1993.)

From time to time, Crichton has recycled a well-known story's structure for his own story. For example: The Andromeda Strain was influenced by H. G. Wells' The War of the Worlds. However, rather than reusing the early twentieth century plot devices, Crichton introduced the idea of an imaginary microscopic pathogen's evolution of virulence with his own story.

Most of his stories tend to be somewhat open-ended, including Jurassic Park, Sphere and Prey.

The use of author surrogate has been a feature of Crichton's writings since the beginning of his career. In A Case of Need, one of his pseudonym whodunit stories, Crichton used first-person narrative to portray the hero, a Bostonian pathologist, who is running against the clock to clear a good friend's name from medical malpractice in a girl's death from a hack job abortion. That book was written in 1968, long before Roe v. Wade of 1973, the landmark case that partially legalized abortion in the U.S. It took the hero about 160 pages to find the chief-suspect, an underground abortionist, who was created to be the author surrogate. Then, Crichton gave that character three pages to justify his illegal practice.

Some of Crichton's fiction uses a literary technique called false document. For example, Eaters of the Dead is a fabricated recreation of the Old English epic Beowulf in the form of a scholastic translation of Ahmad ibn Fadlan's tenth century manuscript. Other novels, such as The Andromeda Strain and Jurassic Park, incorporate fictionalized scientific documents in the form of diagrams, computer output, DNA sequences, footnotes and bibliography.

In The Terminal Man, Crichton created a dialog between two computer programs, good-natured Saint George and evil-minded Martha, variations on ELIZA. In the end, the Charlie Brown-like Saint George shouts "GO TO HELL I WILL KILL YOU:::::::::::::: ..." at the provocative Martha, foreshadowing a killing spree conducted by the ill-fated hero, a nice person implanted with an experimental computerized device to control his epilepsy.

Sphere contains a dialog, in which a panicked scientist in an underwater lab tries to talk the omnipotent but innocent "extraterrestrial life" out of manifesting beautiful aquatic creatures that are harmful to human beings.

A common criticism of Crichton's novels is that they are generally based on the conceit of a "false revolution": while the novels describe potentially world-changing concepts such as alien plagues, cloned dinosaurs, and time travel, the books always end with the threat destroyed or the scientific breakthrough lost. In other words, the events described in the novels might as well never have happened in the context of their fictional universes. This allows Crichton to avoid having to describe how, for example, time travel or cloning of extinct animals would change society.

MICHAEL CRICHTON PICTURES

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MICHAEL CRICHTON BIOGRAPHY