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Nostradamus, (December 14, 1503 – July 2, 1566) born Michel de Nostredame,
is one of the world's most famous authors of prophecies. He is best known
for his book Les Propheties, which consists of one unrhymed and 941 rhymed
quatrains, grouped into nine sets of 100 and one of 42, called 'Centuries'.
Interest in the work of this prominent figure of the French Renaissance is
still considerable, especially in the media and in popular culture.
Born in Saint-Rémy-de-Provence (see map) in the south of France in December
1503 (his claimed birthplace still exists), Michel de Nostredame was one of
at least eight children of Reynière de St-Rémy and grain dealer Jaume de
Nostredame, who was also a prosperous home-grown notary. The latter's family
had originally been Jewish, but Jaume's father, Guy Gassonet, had converted
to Catholicism circa 1455, taking the Christian name 'Pierre' and the
surname 'Nostredame' (the latter apparently from the saint's-day on which
his conversion was solemnized).
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In this, he was merely following the example of thousands of others,
thanks to increasing official French persecution of Jews, many of whom were
the descendants of former refugees from Spain, where they were known as the
Marranos. The names of Nostredame's known forebears seem to reflect this.
While practice of the ancestral religion was apparently continued in secret,
nobody knows whether this applied to Nostredame's family, or whether it
still applied to him two generations later. His adult religious leanings
suggest, however, that his upbringing was devoutly Catholic.
His known siblings included Delphine, Jehan (c.1507-77), Pierre, Hector,
Louis (b.1522), Bertrand, Jean and Antoine (b.1523)
Nostradamus claimed to base his predictions on judicial astrology – the
assessment of the 'astrological quality' of expected future events – but was
heavily criticized by professional astrologers of the day such as Laurens
Videl for his incompetence and for assuming that 'comparative horoscopy' (comparison
of future planetary configurations with the astrology of known past events)
could predict the actual events themselves.
Recent research has suggested that most of his prophetic work was in fact
based on paraphrasing collections of ancient end-of-the-world prophecies (mainly
Bible-based – the end of the world was expected at the time to occur in
either 1800 or 1887, or possibly in 2242, depending on the system adopted)
and supplementing their insights by projecting known historical events and
identifiable anthologies of omen-reports into the future with the aid of
comparative horoscopy. It is thanks to this that his work contains so many
predictions involving ancient figures such as Sulla, Marius, Nero, Hannibal
and so on, as well as descriptions of "battles in the clouds" and "frogs
falling from the sky". Astrology itself is mentioned only twice in
Nostradamus' Preface, and 41 times in the Centuries themselves, though
rather more in his famously baffling dedicatory Letter to King Henri II.
His historical sources include easily identifiable passages from Livy,
Suetonius, Plutarch and a range of other classical historians, as well as
from the chronicles of medieval authors such as Villehardouin and Froissart.
Many of his broader astrological references, by contrast, are taken almost
word-for-word from the Livre de l'estat et mutations des temps of 1549/50 by
Richard Roussat. Even the planetary tables, already published by
professional astrologers, on which he based the birth-charts that he was
unable to avoid preparing himself are easily identifiable by their detailed
figures, even where (as is usually the case) he gets some of them wrong. (Refer
to the seminal analysis of these charts by Brind'Amour, 1993,[30] and
compare Gruber's comprehensive critique of Nostradamus’ horoscope for Crown
Prince Rudolph Maximilian).
His major prophetic source was evidently the Mirabilis liber of 1522 , which
contained a range of prophecies by Pseudo-Methodius, the Tiburtine Sibyl,
Joachim of Fiore, Savonarola and others (his Preface contains no fewer than
24 biblical quotations, all but two of them in exactly the same order as
Savonarola). The book had enjoyed considerable success in the 1520s, when it
went through half-a-dozen editions (see Links below for facsimiles and
translations). The obvious question – why the Mirabilis liber did not
sustain its influence in the way that Nostadamus’ writings did – is
explained mainly by the fact that the book (like the Bible) was mostly in
Latin and in Gothic script and, to make matters even more complicated for
the general reader, contained many abstruse scholastic abbreviations.
Nostradamus was, in effect, one of the first to present its prophecies (and
others) openly in the French vernacular – as was also happening to the Bible
at the time – which is no doubt why he has retained all the credit for them.
The Mirabilis liber, (some of the predictions of which had already lapsed by
the time Nostradamus started writing) was not translated into French until
1831 – and this mainly for scholarly and antiquarian reasons at a time when
knowledge of Latin was beginning to die out. See selected English
translations from it here.
Meanwhile, if Nostradamus' many competitors – and he had many – never
accused him of copying from it, it was because copying and/or paraphrasing,
far from being regarded (as it is today) as mere plagiarism, was regarded at
the time as what all good, educated people should do anyway. The whole
Renaissance was based on the idea. Copying from the classics in particular,
often without acknowledgement, and preferably from memory, was all the rage.
Only in the 17th century did people start to be surprised by the fact that
much of his output was evidently based on earlier and often classical
originals – which was no doubt why, according to the ear Nostradamus, it
should be remembered, denied in writing on several occasions that he was a
prophet on his own account. |
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NOSTRADAMUS PICTURES |
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