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Parminder Kaur Nagra born October 5, 1975 in
Leicester, England) is a British actress of Indian descent.
Parminder Kaur Nagra was born to Sikh parents who migrated to England from
the Punjab region of India in the late 1960s. Sometimes affectionately known
as "Mindi", her full name means "Supreme Goddess, Princess". Her family
background was decidedly working class. The family patriarch, Sucha, a
foundry worker, is believed to have separated from her mother, Nashuter, a
packer in a factory, while Nagra was a child. Nagra, her two younger
brothers, and a younger sister were raised in a small terrace house in the
Belgrave district of Leicester by her mother and by her stepfather who
worked as a bookkeeper at a cousin’s transport company.
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At the age of seven, Nagra suffered a burn injury that resulted in the scar
shown in her 2002 breakout role in the internationally acclaimed film Bend
It Like Beckham. While preparing a meal, a gas stove set her trousers alight.
She was taken into the bathroom by an uncle and immersed in cold water, but
the damage had already been done. She survived the ordeal, but with a large
scar on her right leg.
Nagra attended Northfield House Primary School in Leicester. It was at her
comprehensive school, Soar Valley College, where she played viola in the
youth orchestra and also appeared in her first theatrical productions. In
1991 at the age of 16, Nagra took a job as an usher at the Leicester
Haymarket Theatre, ostensibly to watch and learn from the local thespians
there. Her former boss recalls her as brilliant, polite and very sweet, but
also that she was quiet, giving no hints as to her future rise to stardom.
In her late teens, Nagra was shown a photograph of a potential husband, but
she resisted any marriage arranged by her parents.
Not long after leaving school, and only a few months after completing her
A-Level Examinations, Nagra was approached by Jez Simons, her former drama
instructor, about becoming part of Hathi Productions, a leading
Leicester-based British Asian theatre company, of which he served as the
artistic director. She accepted and was cast as a chorus member in the 1994
musical Nimai presented at the Leicester Haymarket. Only a week into
rehearsals, she was plucked from the chorus to take the place of the lead
actress who had dropped out. Simons recalls that Nagra, while a good singer
and actress, had an intangible quality that raised her above other actresses
and that led him to select her as the new lead. Nagra sometimes describes
herself as having "fallen into" acting due to this unexpected turn of
events.
Before she turned 20, Nagra had left Leicester for London, forgoing
university to pursue a theatrical career and her childhood dreams of
becoming an actress. After selling her prized viola, she found herself
living alone in Peckham, South London employed in a stocktaking job and
struggling to find theatrical work.
Nagra’s first London theatrical job came in 1994 when she was cast as the
Princess in Sleeping Beauty, a Christmas-time pantomime production at the
Theatre Royal Stratford East. Although most critics seemed not to be
impressed with the show, Nagra’s performance is notable in that she was a
woman of color portraying a traditionally white character. After Sleeping
Beauty, Nagra worked with small Asian theatre companies such as Tara Arts
and Tamasha. The roles marked the first of many early career opportunities
in theatre that led eventually to the radio and television appearances that
also defined her career throughout most of the 1990s.
In 1996, Nagra took a small part in Fair Ladies at a Game of Poem Cards
written by Chikamatsu Monzaemon and performed at Cottesloe, Royal National
Theatre. It was there that she met Irish actor Kieran Creggan, with whom she
later moved into a Kennington, South London flat. Their relationship
continued for five years.
Although lacking formal theatrical training, Nagra signed on with veteran
London-based agent Joan Brown, after which she began to land her first
television roles—a bit part on the British medical drama Casualty, where she
played a girl attacked with a broken bottle, and a small role in the
television movie King Girl in which Nagra portrayed an abusive member of a
girls' gang. In 1997, Nagra appeared in the three-part drama Turning World
starring Roshan Seth. The following year she once again found herself in a
turn on Casualty, her second appearance on the show. 1999 saw her playing
the part of a convenience store clerk in the television movie Donovan Quick
starring Colin Firth. Also of note are appearances on the British Asian
comedy shows Goodness Gracious Me and The Kumars at No. 42.
While slowly building a reputation on British television, Nagra also dabbled
in radio, with parts in, among others, radio plays written by noted author
and playwright Tanika Gupta. In 1998, Nagra was part of Dancing Girls of
Lahore, a radio play co-written by her future Bend It Like Beckham co-star,
Shaheen Khan. In 2001 Nagra provided the voice of a Muslim girl in Arena:
The Veil, a docu-drama about women who choose to wear the Muslim head scarf.
Although Nagra had cut her teeth in television and, to a lesser extent, in
radio, her stage performances are perhaps the most noteworthy element in her
corpus of work during her London years. Not long after the aforementioned
Fair Ladies at a Game of Poem Cards Nagra was cast in 1997’s Oh Sweet Sita,
an adaptation of Indian lore about Rama and his dutiful wife Sita. Starring
in the title role of Sita, Nagra caught the attention of director Gurinder
Chadha who would later write the script for Bend It Like Beckham with Nagra
in mind for the lead role. Although Chadha was charmed by Nagra, it would be
five long years before the spectacular results of their collaboration would
materialize.
Nagra’s other notable stage roles during this period are many and include
appearances in Skeleton (1997), to critical acclaim for her "bright-eyed
vivacity" as the village girl; A Tainted Dawn (1997), playing a Hindu boy
accidentally left in Pakistan and raised by a Muslim couple; Fourteen Songs,
Two Weddings & A Funeral (1998), showing her skills as a romantic
comedienne, again to critical acclaim; Krishna’s Lila—A Play of the Asian
World (1999), as part of a five-person cast in a controversially titled
piece; The Square Circle (1999), tackling the demanding role of an
illiterate peasant girl who becomes a rape victim; and River on Fire (2000),
as Kiran in a retelling of Sophocles' Antigone.
Although she was fast becoming a star on the stages of London, 2002’s
surprise blockbuster Bend It Like Beckham, Nagra’s first motion picture,
turned her almost overnight into an international celebrity.
Directed by Anglo-Indian Gurinder Chadha and co-starring Jonathan
Rhys-Meyers, Anupam Kher, Shaheen Khan, and Keira Knightley, the small
budget picture was a critical and financial success in Great Britain,
eventually making the leap around the world and to the United States where
it earned over $30 million at the box office. The script, conceived by
Chadha along with her husband Paul Mayeda Berges and Guljit Bindra, was
penned especially with Nagra in mind. While initially indifferent to the
game of football, Nagra found the soccer-centric story to be both funny and
touching. She agreed to audition and eventually accepted the role.
In the film, Nagra plays Jesminder (Jess) Bhamra, a teenage Sikh soccer
player who idolizes football star David Beckham and defies her traditional
Sikh parents to pursue her dreams of playing football. The rough parallels
to Nagra’s own personal story are apparent. However, pulling off the role
was no small feat considering that the then-26 year-old actress had never
played football and was portraying a character nearly a decade younger than
she was. An intensive ten-week training course emphasizing a Brazilian
technique called Futebol de Salao and led by noted football coach Simon
Clifford put Nagra through rigorous nine-hour a day workouts. The hard work
paid off as Nagra learned to "bend" or curve the ball, as she did in one
particularly memorable backyard scene. In a nod to Nagra's actual life,
director Chadha wrote and incorporated a scene about Nagra's scar into the
film.
Nagra demonstrated that an unknown Asian actress could carry a major hit
film. For her efforts, the actress received much critical acclaim and a slew
of professional accolades. Nagra became the first woman honored as FIFA’s
International Football Personality of the Year and garnered no less than
nine acting award nominations from various film organizations for her
performance in Bend It. In 2002, she was awarded the Golden Wave Award at
the Bordeaux International Festival of Women in Cinema for "best actress"
and later earned a Movieline Young Hollywood Award for "best breakthrough
performance".
Not long after wrapping up shooting on Bend It, Nagra appeared in yet
another motion picture, Miramax’s fairy tale Ella Enchanted starring Anne
Hathaway and co-starring Minnie Driver, Vivica A. Fox and Cary Elwes, where
she was cast in the part of Areida, friend to Hathaway's title character
Ella. In addition, Nagra took on two notable television roles for Channel
4—as Viola/Cesario in a multicultural version of Shakespeare’s Twelfth
Night, and as Heere Sharma in the two-part Anglo-Indian drama Second
Generation, loosely based on the Bard’s King Lear and starring Om Puri.
Although a ratings flop, Second Generation garnered Nagra a prestigious
Ethnic Multicultural Media Academy (EMMA) Award for her turn as a sexually
liberated and independent-minded young Anglo-Indian woman. For the role,
Nagra had to muster up the courage to do some of the steamy and passionate
love scenes that she vowed not to do as an actress. The role allowed Nagra
her first opportunity to visit her ancestral homeland of India when cast
members traveled to Kolkata (Calcutta) to shoot the drama’s final scenes.
While on a promotional junket in Los Angeles for Bend It, Nagra was informed
by her agent that ER producer John Wells, a fan of Bend It Like Beckham, was
interested in meeting with her. Having been a fan of the long-running
American TV drama that has over the years featured such notables as George
Clooney, Anthony Edwards and Noah Wyle, Nagra was in near disbelief. At
their initial meeting, Wells floated to Nagra an offer to join the ensemble
cast; she accepted immediately. In recalling the moment, she said, "I had to
sit still and act professional, while all the time I just wanted to jump up
and run around the room screaming." Not long after the meeting, Nagra signed
a one year contract that included an option for three additional years.
Despite her new status, Nagra said, "I don't think Hollywood has changed me
at all. The first thing I did when I arrived was buy chapati flour and
lentils."
Nagra made her first ER appearance on September 25, 2003 in season 10’s
premiere episode entitled, "Now What?" She plays Chicago County General
Hospital medical intern Neela Rasgotra, American television's first
recurring Indian doctor role. Wells adapted the character to suit Nagra, who
was allowed to "keep" her own East Midlands accent in portraying the Yale
University-educated Anglo-Indian Neela. Nagra would go on to appear in 21 of
the season’s 22 episodes, including "NICU", and "The Student", episodes in
which her character was a central player. As season 11 commenced, Noah Wyle,
the last of the uninterrupted original ER cast members, indicated that it
would be his last. In speaking to his decision, Wyle described Nagra as "the
future" of ER and the media has concurred, anointing her as one of the
show's "golden girls".
Despite trading in her football boots for a stethoscope, Nagra continues to
garner professional accolades and honors. In 2004, she received a Teen
Choice Award nomination for her work on ER and also had the honor of being a
torch bearer as the Olympic flame passed through London on its way to the
summer games in Athens. In 2005 she took home an Outstanding Achievement in
Acting Award from the South Asian Students' Alliance. Later on in the year,
Nagra finished filming season 11 of ER and returned to her native Leicester
to work on director Amit Gupta's Love in Little India in which she was cast
as the female lead.
She was nominated for a 2006 Asian Excellence Award, in the category of
Outstanding Female Television Performance, for her work in ER. |
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